Dj-I M avi c 3 Cine Premium review

Are we really the kind of people who carry three batteries to catch one sunset?

Our Hands-On Review of the Dj-I M avi c 3 Cine Premium

We spent weeks living with the Dj-I M avi c 3 Cine Premium bundle, and we came away with very specific feelings: part awe, part relief, and part that odd humility that comes from being shown up by a machine with better night vision than ours. We had the version with the Fly More Combo, the one marketed with pro-grade goodies: three total flight batteries, a parallel charging hub, extra propellers, and a shoulder bag that made us look organized even when we weren’t. We flew in daylight, flew at blue hour, and yes, hovered outside a streetlit parking lot after midnight like the neighborhood’s most responsible UFO.

Who We Are When We Fly

We’re the group that reads manuals, but only after something blinks at us in a tone we interpret as disappointment. We’re the ones who tape a little list of to-dos on the inside of the shoulder bag—remove gimbal guard, check prop screws, breathe—and still forget to unclamp something because the skyline is catching fire in a way that demands immediate poetry. If you relate, this review is our shared therapy session and our field notes.

What’s in the Massive Bundle and Why It Matters

The Fly More Combo is less a collection of objects and more a mood: it says we’d rather cut electricity use with a parallel charging hub than cut shooting time because a green light turned amber. It says we accept that extra batteries are not indulgence but inevitability. And it says we have spare propellers because grass, twigs, and bravado are a dangerous trio.

The Goods We Actually Used

We used the bag constantly. We used all three batteries on weekends as if our personal mythology depended on it. We loaded the parallel charging hub like a brunch buffet. And those extra propellers? We used one pair because our curiosity about “just how low” is a predictable plot twist.

The Table We Wish Someone Gave Us on Day One

Bundle Item	What It Is	Why It Matters	Our Take
3 Flight Batteries (total)	Intelligent batteries for extended sorties	More airtime for sunrise-to-twilight shoots	We live in battery #2; #3 is the security blanket
Parallel Charging Hub	Charges multiple batteries efficiently	Minimizes downtime and hotel-outlet wars	Surprisingly compact; earns its keep
Spare Propellers (3 pairs)	Replacement blades	Scuffs, nicks, and ambitious descents happen	We replaced one pair; our ego recovered
Shoulder Bag	Carryall for gear	Makes exits graceful and returns organized	It’s the Mary Poppins bag for aerialists
Infinity Gimbal	Ball-shaped gimbal with 360° rotation, 70° upward tilt	Creative moves: Dutch angles, upward shots, gravity-bending sweeps	The single feature that made us rethink our shot lists
Triple-Lens Camera Suite	Wide, medium, and tele options inside the gimbal	Versatility for nature, architecture, and wildlife	We changed lenses less and thought more about story
Hasselblad-Designed 100MP Wide Lens	Adjustable aperture, 10-ray starburst effects	Clean low-light stills, dramatic highlights	Lovely and a little addictive
6K60 HDR Video	High-res, high-framerate capture	Grading headroom with motion fidelity	The sweet spot for pro work without post-production tears
HNCS Color Pipeline	Hasselblad Natural Color Solution	Natural hues and consistent skin tones	Less time fixing, more time smiling
Low-Light Fisheye Sensors (6)	0.1-lux omnidirectional sensing	Safer flights under streetlights	Night confidence without bravado
Forward LiDAR	Obstacle detection below 0.1 lux	Extra insurance when everything looks like a shadow	The thing that stops us before we embarrass ourselves
Dual Processors	High-resolution awareness and obstacle avoidance up to ~40 mph in low light	Smooth, smart behavior in tricky conditions	Hardware that feels like a co-pilot

Setup and Our First Flight

We wish we could say we unfolded the arms with monastic calm, but we were already imagining 360° moves through tree branches. Before we got carried away, we checked props, popped in the battery, and did the dance of firmware updates. We calibrated sensors because we’ve learned that ignoring a calibration prompt is like ignoring a smoke alarm and then wondering why the kitchen smells surprising.

Our Preflight Ritual That Actually Works

• We keep the gimbal guard on until the last possible moment.
• We set a home point and look around like peeping stage managers.
• We hover at head height for twenty seconds, listening to the tone of the motors the way some of us listen to vintage radios.
• We take a breath and secretly thank the engineers who gave us omnidirectional sensing and LiDAR because otherwise we’d be a cautionary tale.

The Infinity Gimbal: Where We Became That Person

The ball-shaped Infinity Gimbal became the centerpiece of our time with the Dj-I M avi c 3 Cine Premium. It rotates a full 360°, and tilts upward by 70°, which made our first week feel like we got a camera crane, a Steadicam, and a helicopter for the price of one.

The Creative Moves We Kept Repeating

• The upward reveal: we slid under a bridge and tilted up, watching the girders flare into starry highlights. It felt like lifting the lid on a city.
• The Dutch-angle pass: we canted the horizon to capture a mural in a way that made our friends message “How did you do that?” and also “Do you need a sit-down?”
• The spiral parallax: we orbited a lighthouse while rolling the gimbal—tastefully—and it moved like our best daydreams.

We learned to approach the Infinity Gimbal with restraint. It’s tempting to spin it like a carnival ride, but the best work happened when we found one movement and let it breathe.

The Triple-Lens Story: Nature, Architecture, Wildlife

Inside the gimbal is a trio of lenses designed to cover an enviable amount of ground. Our wide lens is the Hasselblad-designed 100MP beast with an adjustable aperture, our medium lens bridges intimacy and context, and our tele is the quiet voyeur we use for wildlife and rooftop poetry.

When We Picked Each Lens

• For forests and mountains, we used the wide; the resolution softened our need to be good people because the camera did the heavy lifting.
• For alleys and facades, we moved to the medium; it framed stories without shouting.
• For birds and timid deer, we used the tele; it kept us respectful and the animals indifferent, which is the ideal relationship.

We used the adjustable aperture more than we expected. In bright midday scenes, stopping down rewarded us with crisp lines and those 10-ray starbursts that made streetlights look intentional, like they practiced.

Video Quality That Justifies Carrying Three Batteries

The camera tops out at 6K60 HDR, which is our favorite form of overachieving. We shot at 6K because reframing in post without guilt feels like getting extra dessert and being told it’s a vegetable.

HNCS and Our Color Sanity

The Hasselblad Natural Color Solution gave us natural hues and stable skin tones. We noticed fewer arguments during editing, fewer “What happened to the greens?” moments, and fewer instances of us quietly reciting color theory as if it were a calming mantra.

• Our sunsets kept their nuance without leaning into neon.
• Our city nights stayed saturated but not garish.
• Our morning shots had that “we woke up early and it was worth it” lavender.

We graded the HDR footage gently and still got a wide dynamic range, with highlight roll-off that made window reflections tolerable rather than threatening.

Stills That Made Us Wonder If We Should Apologize to Our Old Camera

We shot 100MP stills with the wide lens and felt like we had both a time machine and a magnifying glass. We could crop with impunity, and we could darken the corners in post without feeling like villains.

The 10-Ray Starburst, Explained to Our Aunt at Thanksgiving

We said it like this: when a light source is small and bright, and we stop down the lens, the light grows these elegant rays like a cartoon star but drawn by grown-ups. We used them on lampposts, car lights, and—on one ambitious evening—stars that were patient with us. We kept it subtle because sky jewelry can become costume jewelry very quickly.

Low-Light Flying and the Sensors That Saved Our Dignity

A total of six high-performance low-light fisheye sensors deliver 0.1-lux sensitivity for omnidirectional obstacle sensing. Those are big words for “the drone sees better than we do at night.” We flew along a dim trail with only streetlights in the distance, and the system kept its bearings like it had eaten carrots for years.

Dual Processors at Speed

Those processors translate the vision into decisions, producing obstacle avoidance up to about 40 mph in low light. We did not treat that as license to race; we treated it as a net below a high wire. We focused on smooth flight and let the tech quietly step in when our enthusiasm outpaced our judgment.

When Even 0.1 Lux Isn’t There

If light drops below 0.1 lux—those places where even a raccoon gets out a flashlight—the forward-facing LiDAR steps up to detect obstacles and brake. We tested this more cautiously than any test we’ve ever run. We approached a wall in near-darkness, and the drone behaved like a polite guest confronted with a closed door: it paused and waited for us to say sorry.

Flight Performance, Control, and How We Stopped Over-Correcting

We learned that good flight is 70% planning, 20% feel, and 10% apologizing to trees out loud even though they can’t hear us. We used smooth stick inputs and watched as the gimbal softened our human edges. The combination of responsive control and mechanical grace let us make confident movements without jerky corrections.

The Way We Practiced (So We Didn’t Practice on Clients)

• We set up a figure-eight with two friendly bushes and practiced slow, wide arcs.
• We matched a walking pace while maintaining a level horizon, because slow is sneaky hard.
• We practiced flying backward, which is like writing with our non-dominant hand while someone hums in a key we’re not sure exists.

We found the default control sensitivity forgiving. We tweaked it slightly for slower starts and stops, which helped footage look less “getting the mail in slippers” and more “a quiet glide along a coastline.”

Battery Life and the Real Meaning of the Fly More Combo

A single battery gave us enough time to get one great sequence, one decent backup, and one ill-advised “what if we try it again but with jazz hands.” The second battery let us redo the jazz hands without regret. The third battery was for the moment when the sun behaved like a Broadway diva—retiring, then returning for an encore we hadn’t scheduled.

Charging Without Turning Our Kitchen Into a Cord Spaghetti

The parallel charging hub spared us the nightly ritual of swapping batteries one at a time and pretending it didn’t bother us. It’s tidy, it’s efficient, and it kept those green LEDs marching forward like a chorus line. We made peace with the idea that charging time is creative time; we planned shoots, we labeled footage, and we wrote down lens choices that had worked.

Portability, Build, and the Shoulder Bag That Made Us Look Competent

We don’t love lugging gear. The shoulder bag tucked in the drone, all three batteries, the hub, and the propellers, with room for filters and that emergency snack that somehow always becomes primary. We appreciated a build that felt sturdy without flirting with bulk. The arms folded with the neatness of a trick napkin, and the gimbal guard snapped on with a reassuring click we mentally filed under “civilized habits.”

Noise and Neighbor Relations

We respect the sound of a drone. The Dj-I M avi c 3 Cine Premium isn’t whisper-quiet, but it also isn’t the leaf blower of the skies. We shot at respectable hours and chose locations where the only witnesses were birds who clearly had their own things going on.

Workflow, File Management, and Editors Who Deserve Gentle Footage

We imported 6K60 HDR clips and felt that combination of excitement and responsibility. High resolution means high expectations. HNCS gave us a beautiful starting point; we aimed for mild tweaks rather than heavy correction. Our mantra became: fix less, notice more.

Storage and Sanity

We kept media organized by lens and scene, and we learned to tag low-light flights where the sensors had made executive decisions, just so we could review any subtle adjustments later. We renamed files the way one names plants—kindly and with intention—so that we weren’t hunting for “Final_Final_UseThis_2” at midnight.

Architecture, Nature, and Wildlife: What the Drone Likes to See

This system has a heart for landscape, lines, and what moves just a little. Mountains loved the wide angle, cities loved the gimbal’s upward tilt, and wildlife appreciated our tele lens and our relative silence, which translated to nonchalance among the deer.

A Day That Summed It Up

• Dawn: a ridge line, the wide lens, thin clouds staging an early show.
• Midday: a civic building with columns that made us stand up straighter; we used 360° gimbal moves sparingly and felt like patient artists.
• Late afternoon: a shallow river revealing patterns like someone had raked it.
• Evening: street scenes with 10-ray starbursts, careful grades, and pedestrians who did not notice we were writing our love letters from above.

Safety, Compliance, and Being the Adults We Pretend to Be

We read the rules, we checked for flight restrictions, and we chose to be the kind of people who don’t surprise pilots or disturb wildlife. The omnidirectional sensors and LiDAR are helpers, not hall passes. We practiced restraint because it turns out restraint photographs beautifully.

Night Flying With Elegance

We used the low-light sensing as intended: to navigate gently. We avoided crowds, we used visual observers when necessary, and we treated nighttime like a privilege. The system’s confidence actually made us more cautious, which felt like a happy contradiction.

Quirks, Limitations, and Little Things We Noted

No system is perfect, and we like blemishes—they prove something is real. Here are the bits we noticed and how we handled them.

What We’d Tell Our Past Selves

• The gimbal’s freedom is intoxicating; too many rotations feel like showing off at a dinner party. Don’t be that guest.
• The 100MP stills will tempt us to crop like we’re carving pumpkins. Keep some air around subjects; it reads better.
• The starburst effect is stunning but candied; don’t sugar the entire bowl.
• Low-light sensors are heroes, but grain is still a character at night. Accept it, shape it, and it becomes part of the mood.

Who This Drone Is For (And When to Wait)

We see three main groups who will love the Dj-I M avi c 3 Cine Premium bundle.

The Working Filmmaker

We knew at lift-off that this belongs in a pro bag. The Infinity Gimbal alone is worth a line item, and 6K60 HDR with rich color starts to sound like job security. If we shoot architectural film, environmental storytelling, or branded content that wants to look like a weekend in the Alps, we’re in the right place.

The Enthusiast Who Treats Sundays Like Film School

If we shoot for ourselves but hold our footage to a standard that makes our hard drive groan, this checks out. The Fly More Combo keeps the day rolling, and the camera suite lets us learn, experiment, and occasionally brag to our cousins in the group chat.

The Wildlife Observer Who Values Respectful Distance

The tele lens means we can stay away and still get what we need. We kept noise low, footprints light, and editing honest. If we crave patience and subtle movement, this system will meet us there.

If budget’s a concern or we mostly shoot web-only content at 1080p, this may be more camera than we need. There’s no shame in that; we’ve learned to love the gear that fits the job and leaves us money for coffee.

Tips That Made Our Footage Better

• Pick one camera movement per shot and commit. Too many gestures make viewers seasick.
• Use the upward tilt for skylines and tall subjects, but remember gravity. Let vertical lines stay vertical unless we intend drama.
• Shoot at 6K60 when we want breathing room in post; a little slow-down in editing makes motion buttery without slipping into molasses.
• Pack ND filters. We used them on bright days to keep shutter angles tasteful and footage civilized.
• Practice emergency stops. Confidence comes from knowing we can halt and recover.
• Label batteries with numbers and a little personality. We became fond of “Battery 2: The Workhorse.”
• Review low-light flight paths in daylight first. Familiarity becomes a second sensor.

Real-World Scenarios We Keep Thinking About

The Rooftop Garden at Dusk

We set the gimbal to roll slightly, then rotated 360° around a rooftop plot with string lights. The starburst effect popped at the edges while the plants stayed calm. We used the medium lens, 6K60, a conservative grade, and we felt like we’d visited a tiny planet.

The River Bend at Noon

Harsh sun, water glare, and a wide lens that made the eddies look choreographed. We stopped down, added an ND filter, and trusted HNCS to keep the blues from turning into theater. The parallel charging hub later charged our batteries while we ate sandwiches and pretended we knew the names of clouds.

The Alley Mural at Blue Hour

We tilted up to let the wall grow out of the street like a confident idea. We rolled the gimbal a smidge, tracked left to right, and let shadow areas stay shadowed. We learned that sometimes the best compliment to color is restraint.

Reliability, Updates, and That Feeling When a Device Is On Our Side

We had no midair drama. Connection remained steady, the app behaved like a good conversation—responsive, not clingy—and each firmware update felt routine, not surgical. We appreciate dual processors not because we see them but because we don’t have to think about them. The drone felt less like a tool and more like a stage partner who knows the choreography but won’t upstage us.

Sound, Vibration, and How the Footage Stayed Calm

We noticed a lack of micro-jitters, the sort of faint tremors that betray an anxious rig. The Infinity Gimbal seemed to love small corrections. We kept our stick inputs lazy, and the drone translated laziness into elegance—something we wish more of our habits could do.

The Little Joys We Weren’t Expecting

• The gimbal guard’s snap made us feel like we were closing a book on a good chapter.
• The shoulder bag’s organization quieted our brains in a way yoga never has.
• The parallel charging hub’s lights mapped our evening like a tiny, responsible constellation.

Value, Pricing, and How We Justified It to Ourselves

We framed the cost as an investment in shots we couldn’t get otherwise. The bundle isn’t a trinket; it’s a system. Skipping the extra batteries and the charging hub would be like attending a picnic without food. We could still sit on the blanket, but what’s the point?

If we bill clients, the math becomes easier. If we shoot for love, the math becomes metaphysical: are we happier with this tool? Do our stories look like what they felt like? We answered yes, and then we went out again before the light changed its mind.

What We Wish Came Next

• More playful in-camera motion presets for the Infinity Gimbal, not as crutches but as recipes we can tweak.
• A gentle whisper mode for early mornings near water—just a few decibels shaved off would be nice.
• A tiny on-bag checklist card tucked into a pocket, because paper never needs charging.

Our Final Thoughts (Said Quietly, Like a Secret We’re Happy to Share)

The Dj-I M avi c 3 Cine Premium, in this pro-grade bundle, turned our weekends into little film residencies. The Infinity Gimbal handed us camera language we didn’t know we could speak. The triple-lens setup asked us better questions about distance and scale. The 6K60 HDR footage with HNCS laughed softly at our old color struggles and then made friends with our editor. The six low-light fisheye sensors and the forward LiDAR turned night from reckless to responsible.

We wouldn’t call it overkill; we’d call it room to grow. If we had to sum it up without adjectives—though that’s not our nature—we’d say this: the system respected our intentions and covered our mistakes. It rewarded planning, forgave small sins, and taught us to fly with a lighter touch. We started out as people who carried three batteries. We ended up as people who used all three on purpose.

FAQ We Asked Ourselves While Pretending Not to

Can we shoot professional video with this?

We did, and we slept well afterward. 6K60 HDR with Hasselblad color is a solid foundation. The Infinity Gimbal adds moves that can make clients blink and then nod.

Is the Fly More Combo worth it?

For us, yes. The extra batteries and parallel charging hub saved real time, and time is either money or sanity depending on the day.

Does the low-light sensing make night flights risk-free?

No tool removes risk, but the sensors and LiDAR provided a layer of protection that made us cautious and confident at the same time—our favorite combination.

What about stills?

The 100MP wide-angle stills are stunning, especially with the adjustable aperture and starburst potential. We sometimes worried about becoming those people who shoot lampposts for three hours. We made peace with it.

Is the gimbal hard to master?

It’s easy to start and rewarding to refine. We practiced, pared back, and found a style that felt like us. We recommend picking one movement per shot and building from there.

Who should skip it?

If we shoot casually at low resolutions or don’t care about color and motion nuance, we might be happier with something simpler. There’s no shame in knowing what we need.

A Closing Scene We Keep Replaying

We’re on a bluff at the edge of a small town. It’s late, the kind of late where houses soften and voices drift but don’t arrive. We launch, rise just above the treeline, and tilt up 70° to frame the town’s single spire and the last violet of the sky. The streetlights put on their 10-ray jewelry. The sensors hum their quiet math. We arc left with the patience of a second hand and record what it feels like to stand here and say nothing. We land, pack the shoulder bag, and suddenly the battery count doesn’t matter because we’ve captured the thing we came for.

If that sounds like the kind of evening we want to keep having, then the Dj-I M avi c 3 Cine Premium is a worthy partner. It’s smart, it’s steady, and it gives us room to make choices. We asked at the start if we’re the kind of people who carry three batteries for a sunset. The answer now is simple: we are, and we’re glad.

Disclosure: As an Amazon Associate, I earn from qualifying purchases.